Tag witch

new art completed – “Swept Away”

I got through all the detail work today. Mostly done with colored pencils, a few times I brought out the turpenoid and brush for finer detail and blending. To add a little extra for the original, I dotted the shoes with metallic red oil pastel so they’ll sparkle in the light (prints will not have this affect, unless I offer a special edition).
The name was difficult – either it’s short and not completely descriptive, or very long (more of a sentence than a name). I went with the former, hoping the image itself will tell the story.
Since it’s such a large piece, the scanning took a while, but I now have it complete and ready here.

Swept Away

work progress – skin phase

I blistered my finger tips again, so I wasn’t able to finish the piece today. I did get all the skin blocked in, though, so tomorrow should get it all done.
With everything masked up, I covered each section of flesh one by one, using colored pencils for color and contour, then oil pastels to blend in…
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work progress – getting the paint done

I’m a little behind in posting, so here’s what I’ve done yesterday.
Using black gouache, I painted in the darkest wrinkles/shadows in the dress, then airbrushed a pure red on the brightest areas. I mixed in a bit of black and purple to the red and covered the remainder of the dress and hat. Adding more black, I worked into the shadows to complete the contouring.
I removed all the masking, then began the brush painting, starting with the face. With the eyes closed, the face didn’t take too long, and I was moving on to the hair. I used a sepia to start, then added black to deepen and define. To finish the hair, I used green colored pencils for the streaked highlights.
Next came the most time-consuming portion – the striped stockings. To begin, I used colored pencils to fill the white areas, using grays and beiges to simulate the skin barely showing through. Then I mixed a charcoal gray/black acrylic and slowly painted all the black stripes. I was surprised how much this ended up cramping up my hand (as noted in my previous painting, straight lines are not my first choice for challenges when I paint). I took a break, then this morning I painted the shoes, using a scarlet red gouache blocked in flat. I followed that with a crimson red, blending it in and creating the mid-tones. Next, I added black to the crimson and worked into the shaded areas. To create the sequin or jewel texture, I took a moist, clean brush and blotted across the surface, allowing the paint to re-wet and at times pull up, other times blend in. I finished the shoes with white gouache, also applied in a stippled fashion.
The broom was next, which I blocked in with a dark brown, followed by a variety of browns and ochres. The highlights were drawn on with tan and white colored pencils. I used similar colored to paint the broom bristles, and finished it off using colored pencils as well.
To complete the painting phase, I covered the skin areas first in flesh gouache, then the texture gesso…

new artwork started today

this is another idea that was in mind when the photo set was shot, so the designing phase was pretty easy. I worked on the outfit a little, changed its color, then added a hat. The idea is a play on the Wicked Witch of the East from Wizard of Oz. With that in mind, at first I had changed the skin to green, but further research showed very few, if any, times when she’s ever depicted this way. Despite her being ‘wicked’, her complexion apparently didn’t suffer like the one from the West (this has been explained in the book and musical ‘Wicked’, though). I was relieved by this, as I recall having some trouble with green skin on another piece last year. So, with the color palette set, I worked on the background elements until the whole composition worked for me. I drew it on the board size I typically use (23×29″ in this case), but it wasn’t until I finished with it that I realized the details would be pretty small (the face most notably). I considered going forward at this scale and use colored pencils with no oil pastels, as this would give me the best chance at capturing those details. Then I remembered I had a couple large sheets of thick watercolor paper/board still. Working large is difficult at times, and clumsy often, so I avoid it most of the time, but I decided this one would benefit from it. So, I redrew the piece at the larger scale (now 30×38″). It looks much better, so I’m happy with the decision…
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model – Mackenzie

With the remainder of the day I masked it all off, then airbrushed the background. I started with a light gray/green, covering the lower background (distant sky). I then added more gray, some black, and a bit of blue, covering the remainder of the sky, loosely moving around to create the cloud textures. I avoided the area around the tornado, and emphasized its edges with the dark mixture. With the sky done, I removed the masking from the house, then painted it using a gray/green wash of gouache for the siding. The windows, door, roof, and underneath were blocked in flat with a gray-black-brown mix of acrylics. Next, I mixed another gray acrylic, this time adding yellow to give it that sickly look that storms sometimes have. this I airbrushed along the tornado, blending into the house. I added some white to lighten the edges and pull it forward from the sky.
The end result is near black-and-white, which is intentional. Although storms are more or less gray anyway, I would normally enhance it with deep blues, green, and/or purples, but this time the gray works on multiple levels. First, it’ll pop out the main subject later, and second, it’s reminiscent of the Oz movie. I’m pleased the look so far, and hopefully the rest will work out so well…
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Note: The masking is still on most of the subject, all but the dress and hat, because I plan to airbrush them tomorrow.

New Art completed – Witch Magic

I almost called it done last night after spending the day working on the details, but some thing seemed a bit off, so I hesitated. Today, I worked on those issues and am now calling it complete. It’s now in the store here.

Witch Magic

Witch Magic

work progress 10/27 – starting the skin

I started the day finishing up the paint work. I added golden orange lacing to the dress using acrylic paint. I then added a few details to the wand and belt, and tried out a pentagram tattoo on the neck.
I completed this half of the day by painting in the textured gesso over all the skin areas..

Later in the day, I began work on the skin, roughing in the color with colored pencils, and blending oil pastels over them to block in the shapes. No detail yet…

work progress 10/26 – paint

Today I tried to get through all the paint work. I started with the face, painting the eyes and mouth with gouache. Then the hair, also with gouache. I followed that up by painting a flat base red acrylic over the dress, and a dark grey for the boots. While they dried, I painted the wand and belt with black gouache, highlighting them with grey and white. Next, I used gouache in thin,watery layers to build up the shadows in the dress and boots. Then I added a few highlights with white and red for the dress, and grey for the boots. I finished the day painting the silver wave design up the boots, and the boots’ platform soles…

PS – somewhere in between some steps I painted the gold bracelet.

New art started 10/25

I spent yesterday going through photos looking for ideas. I came up with a couple, and decided on one to do next. Once designed, I got it drawn on the paper…

model – Mackenzie

I had time to get it masked off and then airbrushed the background with light golden yellow acrylics. I finished it up with a generous spray of gold and red sparkles…

The color is actually much lighter, but I darkened the photo so it would show more easily.

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Work progress of artist Kevin Clark

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