Today I continued the detail work, finishing the piece. I decided the tie was too close to the same color and tone as the chair, so I darkened it more, which also brings out the little cherry a bit more. To complete the tie, I used colored pencils to add a fine diagonal pinstripe along it, helping form its contours, as well as give it a little style. I fine-tuned the face, detailed the hand, and finished the black areas, adding gray for some of the light mid-tones, white for highlights, and more black for deeper shadows. The final touch was filling in the degree on the wall, using colored pencils.
It’s now complete, scanned and ready to view here.
Tag therapist
New Art completed today – “Good Therapy”
work progress – tough week
Paint continues to be no friend of mine. All was well earlier in the week, after I finished the background. I started the painting process working on the facial features and hair as usual. I wasn’t sure how I wanted to handle the chair, especially since I was trying for a more illustrated look originally. At first I thought perhaps using loose brushstrokes, without concern for getting right up to the edge, then using a thin dark line to outline it. I didn’t think it would have enough solidity to ‘hold’ the model, so then I thought to just cover it in a flat color, maybe adding hints of contouring and shading later. And once again, my attempts to coat a large area that has an irregular edge with a wash of color turned out troublesome. I couldn’t use too large a brush, since some sections were only a few millimeters across, yet I needed to get the entire section covered before any of it could dry. It almost worked, but I still got a few brush strokes showing as it dried. To add to the frustration, the brush would shed as I worked, so hairs would stick in the wash, and I couldn’t do anything to remove them (luckily, since it is a wash, once dry, the hair would easily brush off). I got the entire chair covered, but was quite unhappy with the result. Not wanting to try further wash coats to build up the color, I resorted to a sure solid coating – acrylics. I mixed the color I wanted (or what I hoped it would be once dry – ended up darker than desired, but still okay) in a cup so I would have plenty to work with, then repainted the chair one flat color. Despite working fairly thick (as thick as I could, and still get some flow from the brush), I did need to hit most of it again with a second coat.
Now that it was finally painted, I looked at it again to decide what I wanted to do with it next. Flat wouldn’t do, so I used colored pencils to build up some highlights. The texture from the pencils worked well for a soft leather feel, so I think it was a good choice. I used dark pencils for the shadows, then finished the chair with a few white highlights using gouache.
Things got easier after that, as I moved on to the black areas – the chair arms and base, and shoes. I covered them in a heavy wash of black gouache so it be light enough to allow a second coat of black for the shading. I’m still feeling a bit frustrated about paint, so I have yet to complete these areas (highlights, mostly). I sued a wash of gray mixed with a bit of blue for the mid-tones in the chrome base of the chair, then finished it with white gouache highlights.
I got to rethinking the color for the tie, and am still uncertain what will be best in the end. For now, I’ve given it a wash of pink, which will be darkened either a little bit, or a lot, depending how it feels once the skin is done.
For the stockings and blouse, I brushed clean water over the entire area, then lightly added a bit of gray to the shaded areas, blending it out into the lighter areas. I also added some peach to the stockings to give them a sense of sheer. These areas will also get refined once the skin is in.
For the skirt, I decided to go the same route as the chair, so I mixed a dull brown acrylic in a cup, then coated the area. Once dry, I washed some black gouache over it in the shaded areas, then a wash of light brown gouache for the highlights.
Finally, I covered all the flesh areas with the textured gesso, prepping them for the oil pastels to come…

work progress – background airbrushed
I got to more than this today, but only took the one photo so far, so I’ll get describing the rest tomorrow.
Today, I masked out the image and airbrushed the background. I mixed grey, cerulean blue, and ultramarine blue with white acrylic, then covered the background loosely, leaving the edge of the paper nearly untouched. Once covered enough, I mixed black into the remainder of the blue color, thinned it out more, then created the shadow on the floor, as well as the edge of the wall, blending it lightly forward for a carpet look. Finally, I painted the frame of the diploma on the wall with brown gouache…

finally back to work
What a lull of a week! I was completely tapped out of ideas, concepts, and inspiration. Without any ideas in mind at all, none of the photos popped out at me all week. I think it’s time again for new photo shoots, if I can just get a model to respond to an email.
After a week of nothingness, I had a glimpse of a thought, so I checked a photo set that might work. Sadly, nothing fit with my idea, but I did see a photo that conjured a different concept. I’ve been working on the design for a couple days, and finally feel it’s ready to begin as a new painting. This one will be a slight departure for me, as I plan to add a caption to the final image (only for prints, the original art will have no text directly on it). So, I’m thinking the style will be a little more illustrated/cartoon, although not going too far from my usual realism. It’ll be interesting to see if I can push myself into this new style, or if I’ll revert to the safety of what I’ve been doing.
For now, I have the drawing on the paper…

model – Gia











































