Tag progress

work progress for the week

Time got away from me with this one. So caught up each day was I that I never made time for the blog. I did shoot a photo as I progressed, so it all works out in the end.
We left off I had finished the background, so next I started work painting the foreground. I painted a few details into the legs and hat of Robin, then masked off the areas and airbrushed them with a green mix or acrylics. I added some black to part of the mix for the dark areas, and yellow with white for the lighter. When dry, I finished them off using colored pencils. Next, I painted her boot with a dark gray gouache, then washed black over it and mixed it in to get the shading and creases. I used white gouache solid for the highlight, lightly washing its edges to blend in. For Marion’s dress, I washed a dirty gray gouache for the white cloth, and mixed a turquoise for the rest. I washed dark gray and black into the shaded areas of each, gradually building them up. For the pattern, I used colored pencils; they give me more control, plus the texture feels more like stitching to me.
I moved on to the faces next, painting them as usual with gouache. The hair was next, also with gouache, then colored pencils for texture/detail. To complete this stage, I covered the flesh areas with textured gesso. I had run out of the tinted bottle, so I mixed the color on the fly. Because of this, I chose to differ the color a bit between the two bodies, making Marion more pink and Robin ochre…
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The following day, I blocked in the skin, using colored pencils with oil pastels to blend. Due to the amount of area covered, my fingers were quite sore by the end, so it was a short day…
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The last couple days I’ve been working on all the detailing, plus I had a new photo shoot with model Kneely yesterday, so it’s taken a bit longer than I would have expected (always nice to finish a piece before a shoot so I can focus on one idea at a time). I think it’s complete now, so I’ll be scanning it in soon, and might get it up to the website tonight.

New art finally working

This whole week has been fraught with problems, perhaps this piece has been cursed. It started with the design, which I mentioned in the previous post, and each step though-out the process has had its troubles (culminating in the death of my computer just as I was beginning to upload the completed image).
Now that it’s done, and the computer is back, I will now go through the steps and hopefully it was worth all the trouble in the end.
With the design worked out, I drew it on the illustration board…
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model -Jill

It took almost two days, but I completed the background. I started it by masking out the image, then airbrushing the entire board with gray acrylics for a base. I wanted to create the illusion of motion, so at first I tried washing of acrylic paint, but I couldn’t find a happy medium between soft edges and strong enough color. Next, I resorted to colored pencils. I have much more control with them, but the board’s texture bothers me. Still, it looks okay, so I proceed. Once the majority of it is done, I go back over it with a wash of gray on a big brush, creating streaks. Sadly, this step caused a real headache later, when I removed the masking to see this wash had seeped in between the cuts in the masking, leaving gray blobs all over. More on that in a moment. Next, I mixed an amber/ochre acrylic and painted the caution stripe on the ground, and also on the subway’s steps. I added a variety of other colors here and there with acrylics to brighten the subway a bit more, blurring it with my finger when possible. To complete the background, I airbrushed a gray-black on the right side to create distance, and also beneath the model for her shadow.
Once dry, I removed the masking and saw the gray leaks. This wouldn’t be so bad for the skin areas, since the oil pastels can cover fairly well. But the dress and hair needed to be light, so I feared it would become a real problem. So, I used a white acrylic and coated the entire model, knowing it would affect the look of everything I put on top of it…
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The next day I began on the foreground paint. The acrylic white I used now made it difficult to use my normal techniques – watercolor washes were more inclined to wash off than blend in, colored pencils had to work against the brush strokes. As such, the hair became a challenge, and I continued to work on it up until the very end. The eyes luckily worked, and the mouth wasn’t too bad, although I reworked the lips a few more times. The gray blobs along the edge of the dress still showed too much, so instead of a wash for color, I mixed a cream colored acrylic and painted it thick enough to be opaque (numerous coats). I added the creases, wrinkles and shadows later with acrylics. The top was also tricky, as it was sheer and also in shadow. Working the color against the white background on the skin was difficult to moderate (it seemed very dark). I added a wash of flesh over the skin areas to help give me perspective.
Next, I masked around the legs and airbrushed the stockings, starting with a mix of flesh acrylic, then building up darker browns to create the contour. I finished the day painting the skin areas with textured gesso…
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The next day (when I wrote the previous post) I blocked in the skin, using colored pencils and oil pastels. This step was not without its troubles. The gesso on top of the white acrylic was uneven, so some areas didn’t cover as smoothly and easily as others. Luckily, these rough spots were small and limited, so I was able to get through it all…
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I spent all of Wednesday working on the details, trying to figure out if this piece would ever work out. I took numerous breaks, as I was losing perspective of what looked right. By the end of the night I felt it was salvaged, and might even be good. Thursday, I had it scanned, and was ready to upload it when my computer broke down. I spent the entire day going from shop to shop, trying to work out went was wrong, and how it could get fixed fast. The issues are far from over, but I have a working computer today, and finally have the files uploaded. I will post the completed piece next.

work progress – forming the background

Last night I masked out the image and began working on the background. First, I painted some burnt sienna gouache in a wash over some of the darker details of the planet and moon. This will add a bit of texture as well as keep a perspective on the areas when I cover them with the airbrush. With enough lines painted in, I mixed a dull light pink acrylic and covered the entire planet. Next, I mixed in some burnt sienna, burnt umber, and more red for a darker pink, which I sprayed mostly along the edge of the planet, but also a few streaks and details throughout it. I mixed orange next, using the leftover paint and adding vermilion, which I used on the ‘eye’ and the main streaks of the planet. To finish the planet, I mixed a dark orange by adding burnt umber to the leftover mix, and sprayed the darkest details and shading. I also used this mix across the space over the moon, simulating its thin atmosphere. Completing the top ‘half’, I mixed a near-black acrylic (black, burnt umber and magenta) and covered the outer space, fading toward the moon’s surface, as well as going a bit into the planet to fade its edge.
Today, I worked on the moon. I started by using some colored pencils to create some surface details, both distant and near. Then I mixed a ‘dirty’ yellow acrylic and airbrushed the entire area. I then added some burnt sienna to the mix and began contouring the surface. Adding more sienna and some burnt umber, and continued with darker details. Then I mixed a light turquoise and airbrushed a few areas (not my intention, but it now looks a bit like lakes).
Once all was dry, I used an eraser to pull up some of the paint for a bit of highlights. I think the near background of the moon will need a bit more detail, as it currently looks like a simple illustration to me. I don’t want too much detail to pull focus, but this little lessens the overall look, I think…
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work progress – skin blocked in, nearly completed

I did have time last night to paint on the textured gesso, so today I got right into the blocking in of the skin. As usual, I used colored pencils for the color and rough contouring, then oil pastels to blend it together…
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The rest of the day was spent detailing everything. It’s very near finishing, but I need to clear my head and see it tomorrow with clear eyes before I call it done…
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New artwork started

Working with multiple mediums has its advantages, but also many challenges. My greatest one is finding paper textures that work well with all of the mediums. I’ve been working mostly with ‘hot press’ because it doesn’t have much of any texture, so airbrush, pencils and paint all look nice and smooth. The trouble is the oil pastels go on too thin (transparent), so I’ve always had to use a textured gesso in those areas (typically just the skin).
I recently picked up a few varieties of different papers to try out. For this new piece, I’m using a cold press illustration board from Arches. The concept for this piece is another comic book inspired idea. A sexy woman in tight black wardrobe, holding a pistol…
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model – Gia

I masked out the image, then began airbrushing the background. First I mixed a light green/turquoise acrylic and covered the entire board. Next, I mixed a darker version (no green, just turquoise, blue and a bit of black) and worked around the edges inward, avoiding the star pattern as I went along. It wasn’t as dark as I had wanted, so I mixed some more black and ultramarine into it and again worked inward…
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The paper texture has begun to show, but it’s not bothering me.

Next, I spent a couple days painting, since only a small amount of the image will be skin. I painted the face first, using gouache, then the hair with a mix of gouache and watercolors, building up layers of color. I painted the pistol and the leg-strapped holster with various dark grays, adding some black and white for shadows and highlights.
This paper holds water nicely, giving me some time to actually spread and blend the paint before it embeds itself, causing edging. This allowed me to cover the outfit in a smooth gradient from light gray to dark blue-black. Still, it didn’t have quite the look I wanted, so I re applied the masking around those areas, then used the airbrush to finesse the look. White highlights complete the outfit…
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finally starting a new piece

After over a week now of designing, refining, and redesigning an idea, I’ve burnt out on it and can longer decide what’s good and what’s bad about it. So, to clear my head, I looked for something completely different to create.
Looking through photos, I was surprised how quickly I found an image that I liked, and configuring/designing it was quick and easy. I tweaked it’s color a bit, and found a cropping that was good, and then added a simple but nice background.
I was so energized to get back to painting that I forgot to take a photo of the drawing before airbrushing the background. Luckily I remembered now, or I would’ve gone on to the next step without any photo.
So, after drawing it on the board, I masked out the entire image, then applied a light gray-blue acrylic over the whole background with the airbrush. I next used a sort of periwinkle color, blending it from full saturation on top, down to barely there at the bottom. I finished the background with a mix of pearl, red and purple ‘sparkles’ overall…
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model – Kneely

Work progress 9/01 – oil pastels continue

Due to where the hand will rest as I work, I started with the face today, instead of continuing to go from the bottom up. I used colored pencils for contouring and color, then applied white and flesh oil pastels, blending them in. I then added touches of more white on the highlights, and browns in the shadows, blending that all in. Before moving on, I used a brown colored pencils to draw in the eyebrows and nostrils, so I get a better feel for the overall tone of the face. I’ll come back later to finish up the fine details.

Later, I apply the same treatment to the back and arm(s). In addition to the white and brown oil pastel, I also added some other browns and oranges over the skin and blended that in to further deepen the tones.
Once everything is blended as much as I want with my fingers, I removed all the masking.

work progress 8/31 – begin oil pastels

I got sidetracked today, so I didn’t get as much done as I had hoped.
I started the day painting all the skin areas with the textured gesso.

Since the areas of the body in this piece are so large and well-separated, I decided to work each section to completion (minus fine details). I wanted to create a fade off effect with the stockings, so I decided to start there. As seen in previous paintings, I start with colored pencils to get the general colors and contours. Then I use white oil pastel to blend it in. For the legs, I also use a medium flesh tone, and then touches of a darker flesh (sienna) for added contouring.

I then do the same with the mid-section – colored pencils, then oil pastels (blended with my fingers).

work progress 8/30 – paint

Today started with masking out the image and airbrushing the background, using a light turquoise and blue overall. I moved around in sweeps and swirls to give it a soft and ethereal feel.
After removing the masking frisket, I began painting (watercolor and gouache). I started with the face, then the hair, and the rest of the day was used painting the lingerie. It still needs a little sheen highlight, but otherwise, these areas are virtually complete.

back to designing

I’ve been going through the photos from Thursday’s shoot, coming up with various designs to play with. Hopefully one will pull me in further and become the next painting. If I remember each day, I’ll try to post an image of the progress once I start.

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Work progress of artist Kevin Clark

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