Tag Gia

work progress – background troubles

Yesterday I blocked in the skin areas using colored pencils and oil pastels. Since the areas are rather small, and not a lot of detail needed, I started in on the detail work last night. Nearly completion, I took a step back to look at it overall. That’s when I knew the background wasn’t working for me. I knew it would need some more work toward the end, but looking at it now, I wasn’t sure what it really needed. So, I’ve taken some time off today in hopes of getting a fresh view, and perhaps some inspiration.
Tonight, I’ve taken one of the images from this blog to test ideas on in photoshop. One thing I’ve seen for sure is that the skull needs to be more opaque (and perhaps have some details to it). I’ve also tested the idea of dripping blood (or red candle wax, depending on how you want to see it). This is a tricky thing to do with the foreground completed. Hopefully that’ll be enough for the background, but if not, I may add more candles (and the pentagram candles will need redoing, as they are just too dim).
No photo update today, but hopefully it will be finished tomorrow.

work progress – stage 2 finishing the paint

Today I worked on all the painted areas, trying to get them done. I started with the red areas, using a black gouache wash, I added some shading and wrinkles to the various materials. Next, I dry-brushed black on the gloves and midriff, darkening them and adding a bit of mesh texture. Then I got to painting the bouquet. I mixed some yellow and black gouache with a touch of sepia too form the stem color, then brushed them in. I used the same color for the leaves, such as they are. Adding in some white to the mix, I painted the highlights (mostly in the stems), and then mixed black into the original mix to paint the shadows. With that done, I mixed black and red gouache to paint the flowers, adding hints of brighter red for highlights.
I worked on the hair some more, darkening it and adding some texture. I finally got the veil built up enough to show through the background (figures, both my acrylic and gouache reds are translucent). I added some red decor to the gloves and white highlights to the shoes, then painted the flesh areas with the textured gesso, preparing them for tomorrow’s oil pastels…
bride04

work progress – stage one paint

I started the day masking out the image, then airbrushing the background. I mixed a red-purple and covered the mid-section of the paper, then added some black to the mix and covered the lower section. Adding more black and a bit more red, I covered the remainder of the space, then with near-black I darkened areas until it was what I wanted. This paper seems quite absorbent, so the paint dries lighter and duller than expected. Still, I think it got dark enough (better to be a little lighter than darker, as there will be black areas in the foreground). Keeping the masking on still, I began painting the background elements, starting with a purple-gray for the floor’s pentagram. I also used a bit of the mix in beginning the skull, but found that the airbrushed paint mixed in enough to actually darken the areas that got wet (odd, considering how the paper seemed so absorbent – I would think the paint would hold better). I kept the skull and horns loose and subtle for the moment; I’ll work it more toward the end when I can see how it all fits together. Next, I painted the candles, starting with a dull gray-purple again, blending up through orange and into yellow. Up close, it seems quite bright, but is quickly dulled as I stand back, so I may have to add more paint later to bring them out. For the flames’ glow. I blended in a tan soft pastel. Before ending this half of the day, I wanted to complete all the airbrush work, so I moved the masking to expose the stockings and protect the background. I then covered the legs with a burnt sienna acrylic, followed by dark brown, and finally black, building up the shadows and forming the contours…
bride02

Later, I started the brush paintwork. I painted the face with gouache, then blocked in the hair with browns. I mixed a red acrylic paint to cover the dress’s train, and a brighter red for the rest of the red areas of the outfit. The acrylics will give me a good base to start from, allowing me to paint on top without worry of pulling up the red. Then, I painted the midriff and gloves with a mix of gray and burnt sienna gouache, in a wash. Once dry, I followed it up with black, washing it on over the brown, and more solid for the design and edges. There’s still more texturing on these areas to get them to feel like mesh/lace, but it’s a good base…
bride03

starting new artwork today

I’ve been going through the photos from my new shoot, and hit upon one concept that I was excited to begin. Before the shoot, Gia and I discussed a few ideas we would try for, but this one happened by chance as we shot. I saw a glimpse of the idea during one of the sets, so I mentioned it to her, and we both started working out how to make it happen. Wardrobe was the biggest trick, since neither of us had planned the idea, and we didn’t have an outfit for it. Luckily I only use the photos for reference, as the hodgepodge outfit would look odd on its own. We got a variety of shots, but this one stuck out the most, so it makes the cut for at least this first painting (there may be more from this set of photos in the future).
The concept, if not the title, is “Devil’s Bride”, so she’ll be dressed in black and red, with a dark purple background. I finished designing it, so next is drawing it on the paper. For those that like deckled edges, this paper has them on all four sides…

model -Gia

New Photo shoot today

Ideas have been limited for me lately, so I’ve been trying to set up new photo shoots for a few weeks now. Finally, I got one to work out with model Gia. We got a handful of concepts to play with, and now I have lots of photos to go through, and new ideas to work on. I hope to have a new painting started by this weekend.

New Art completed today – “Good Therapy”

Today I continued the detail work, finishing the piece. I decided the tie was too close to the same color and tone as the chair, so I darkened it more, which also brings out the little cherry a bit more. To complete the tie, I used colored pencils to add a fine diagonal pinstripe along it, helping form its contours, as well as give it a little style. I fine-tuned the face, detailed the hand, and finished the black areas, adding gray for some of the light mid-tones, white for highlights, and more black for deeper shadows. The final touch was filling in the degree on the wall, using colored pencils.
It’s now complete, scanned and ready to view here.

Good Therapy

work progress – skin blocked, and beginning detail

I started the day blocking in the skin, this time trying watercolor pencils instead of colored pencils (no wax, so possibly better blending, plus a different variety of colors to work with). I used the pencils to rough in the color and contour of each section, then applied oil pastels (mostly white and light flesh) over them, blending together with my fingers…
therapy04
These areas weren’t too big, so I was done fairly early in the day, so I began detailing some of the areas. The face got the most work, nearly finishing it tonight. I also darkened the hair once I saw how it matched to the skin, and worked on the tie. I mixed a pink, red, gray and white gouache and painted the tie in light coats, building it up darker and darker. I’ll finish it tomorrow, likely with colored pencils, giving it a subtle design. For now, I added a cherry icon to its bottom…
therapy05

work progress – tough week

Paint continues to be no friend of mine. All was well earlier in the week, after I finished the background. I started the painting process working on the facial features and hair as usual. I wasn’t sure how I wanted to handle the chair, especially since I was trying for a more illustrated look originally. At first I thought perhaps using loose brushstrokes, without concern for getting right up to the edge, then using a thin dark line to outline it. I didn’t think it would have enough solidity to ‘hold’ the model, so then I thought to just cover it in a flat color, maybe adding hints of contouring and shading later. And once again, my attempts to coat a large area that has an irregular edge with a wash of color turned out troublesome. I couldn’t use too large a brush, since some sections were only a few millimeters across, yet I needed to get the entire section covered before any of it could dry. It almost worked, but I still got a few brush strokes showing as it dried. To add to the frustration, the brush would shed as I worked, so hairs would stick in the wash, and I couldn’t do anything to remove them (luckily, since it is a wash, once dry, the hair would easily brush off). I got the entire chair covered, but was quite unhappy with the result. Not wanting to try further wash coats to build up the color, I resorted to a sure solid coating – acrylics. I mixed the color I wanted (or what I hoped it would be once dry – ended up darker than desired, but still okay) in a cup so I would have plenty to work with, then repainted the chair one flat color. Despite working fairly thick (as thick as I could, and still get some flow from the brush), I did need to hit most of it again with a second coat.
Now that it was finally painted, I looked at it again to decide what I wanted to do with it next. Flat wouldn’t do, so I used colored pencils to build up some highlights. The texture from the pencils worked well for a soft leather feel, so I think it was a good choice. I used dark pencils for the shadows, then finished the chair with a few white highlights using gouache.
Things got easier after that, as I moved on to the black areas – the chair arms and base, and shoes. I covered them in a heavy wash of black gouache so it be light enough to allow a second coat of black for the shading. I’m still feeling a bit frustrated about paint, so I have yet to complete these areas (highlights, mostly). I sued a wash of gray mixed with a bit of blue for the mid-tones in the chrome base of the chair, then finished it with white gouache highlights.
I got to rethinking the color for the tie, and am still uncertain what will be best in the end. For now, I’ve given it a wash of pink, which will be darkened either a little bit, or a lot, depending how it feels once the skin is done.
For the stockings and blouse, I brushed clean water over the entire area, then lightly added a bit of gray to the shaded areas, blending it out into the lighter areas. I also added some peach to the stockings to give them a sense of sheer. These areas will also get refined once the skin is in.
For the skirt, I decided to go the same route as the chair, so I mixed a dull brown acrylic in a cup, then coated the area. Once dry, I washed some black gouache over it in the shaded areas, then a wash of light brown gouache for the highlights.
Finally, I covered all the flesh areas with the textured gesso, prepping them for the oil pastels to come…

work progress – background airbrushed

I got to more than this today, but only took the one photo so far, so I’ll get describing the rest tomorrow.
Today, I masked out the image and airbrushed the background. I mixed grey, cerulean blue, and ultramarine blue with white acrylic, then covered the background loosely, leaving the edge of the paper nearly untouched. Once covered enough, I mixed black into the remainder of the blue color, thinned it out more, then created the shadow on the floor, as well as the edge of the wall, blending it lightly forward for a carpet look. Finally, I painted the frame of the diploma on the wall with brown gouache…
therapy02

new art completed today – “Life on Io”

I spent yesterday detailing everything, including adding browns and some black to the foreground landscape. I used blue colored pencils in the hair, which proved a bit of a nuisance when fine dust from it drifted into the skin of the face. I was able to clear it off before it ruined anything, luckily. In the future, I may mask off the oil pastels when using pencils to avoid such troubles. That, or I need a little vacuum attachment for my pencils.
I waited until this morning to call it finished, just to be sure I haven’t missed anything. It’s available now here in the store.

Life on Io

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Work progress of artist Kevin Clark

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