Tag gesso

work progress for the week

Time got away from me with this one. So caught up each day was I that I never made time for the blog. I did shoot a photo as I progressed, so it all works out in the end.
We left off I had finished the background, so next I started work painting the foreground. I painted a few details into the legs and hat of Robin, then masked off the areas and airbrushed them with a green mix or acrylics. I added some black to part of the mix for the dark areas, and yellow with white for the lighter. When dry, I finished them off using colored pencils. Next, I painted her boot with a dark gray gouache, then washed black over it and mixed it in to get the shading and creases. I used white gouache solid for the highlight, lightly washing its edges to blend in. For Marion’s dress, I washed a dirty gray gouache for the white cloth, and mixed a turquoise for the rest. I washed dark gray and black into the shaded areas of each, gradually building them up. For the pattern, I used colored pencils; they give me more control, plus the texture feels more like stitching to me.
I moved on to the faces next, painting them as usual with gouache. The hair was next, also with gouache, then colored pencils for texture/detail. To complete this stage, I covered the flesh areas with textured gesso. I had run out of the tinted bottle, so I mixed the color on the fly. Because of this, I chose to differ the color a bit between the two bodies, making Marion more pink and Robin ochre…
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The following day, I blocked in the skin, using colored pencils with oil pastels to blend. Due to the amount of area covered, my fingers were quite sore by the end, so it was a short day…
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The last couple days I’ve been working on all the detailing, plus I had a new photo shoot with model Kneely yesterday, so it’s taken a bit longer than I would have expected (always nice to finish a piece before a shoot so I can focus on one idea at a time). I think it’s complete now, so I’ll be scanning it in soon, and might get it up to the website tonight.

work progress – a day of paint work

Yesterday was a full day of paint. I started with the face, then blocked in the hair (later coming back to add layers and complete) and with the same colors painted the stool’s feet. Next, I mixed an amber acrylic paint and blocked in the dress. I slowly added brown to the mix, layering in darker and darker layers for shading. Then, I used a blue-gray gouache to lightly wash the white bonnet and dots on the dress. Adding more paint to the wash, I built up those shadows and creases. With the same color, but full opaque, I painted the spoon. After that, I painted her shoes with black gouache, followed by white for the highlights. I started to brush-paint the spider, but could see that I wouldn’t get the smooth gradient I wanted, so I masked it off and airbrushed it. Once dry, I painted the arms/legs, as well as the face and details.
To finish the day, I covered the flesh areas with a lightly tinted textured gesso, preparing it for today’s oil pastels…
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“Trick Shot”

I’ve been absent from the blog all this week as it’s been a week full of annoyances and frustrations. Rather than whine and bitch here each day, I decided to refrain until it passed. Luckily, most of the troubles were not from the artwork, and I was able to take photos of the progress as usual so I can go through the steps now.
In my list of potential ideas are many sports and recreational games, one of which has been billiards. I shot a set with that theme last year, and now I had some ideas what to do with it. After going through the photos, I found one that had the most attributes that I was looking for (pose, expression, etc…). I then had to design the table and objects, as she was just posing on the floor. To get not only perspective right, but lighting as well, I like to use Hash’s Animation:Master to render reference objects. I build a crude table and balls, set the scene to match the model, then used that as a background to work from.
With the design ready, I drew it onto illustration board…
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model – Ashley

I masked out everything but the table top, then airbrushed a variety of turquoise toned acrylics to create the felt top. For the bumpers, I held up a board to block out a straight line when needed. Next I removed the masking and tape from just the edges of the table, then painted the wood with various brown gouaches. Then I mixed a charcoal gray acrylic and blocked in the pockets and table edge. Once dry, I used colored pencils to build up the sheen on the pockets and refined the felt as needed. To finished the table, I painted the diamond markers with white gouache. I completed the background by mixing a very dark gray and turquoise acrylic, first blocking in the background space, followed by thinning the same paint and airbrushing it to blend a bit into the table. I removed the masking from the stockings only, as I plan to airbrush them next…
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I returned the masking to the table to protect it, then mixed acrylics that ranged from dark flesh to dull black, airbrushing the stocking to give them contour and texture. That completed the airbrushing, so I removed all the masking and began painting. I started with the face and hair, then switched to the stocking top detail. Next, I mixed a charcoal acrylic, much like what I used for the table pockets, and blocked in the outfit and shoes. I’ll add details to them later. Then, I painted the balls, followed by covering the skin with textured gesso (with skin tone added in)…
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Next step was blocking in the skin, using colored pencils and oil pastels. Although the areas were rather large, this stage went by quickly and without much burning to my finger tips…
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The final stage was detailing. I used colored pencils for most of it, including the outfit, shoes, hair, and of course skin. I completed it last night, and this morning I got it scanned, and it’s now available here.

Trick Shot

I’m curious if you have a preference to my working steps being all in one like today’s, or daily as I’ve usually done. Let me know which one you like best. Thanks!

work progress – finish the paint phase

Today I spent working on all the painted areas. Since I had already started the wings and cloth yesterday, I added more to them using washes of gray (plus tan on the wings, and blue on the cloth). Next, I painted the face and hair, followed by the arrow and starting the bow (I’m not certain on the color for it yet; when I designed it, I made it periwinkle, but now I’m wondering if white will be better). I added some details in the hair and cloth using colored pencils, then used white gouache to create highlights on them (as well as the eyes and lips). I ended the day with outlining some of the flesh edges with gouache, then covering all the skin with textured gesso…
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work progress – paint

With the background done, I began work on the brush painting. I painted the face using gouache, then blocked in the hair with watercolors. This paper doesn’t absorb very quickly (or just not much), so the watercolor began wiping up as much as it was putting down, curtailing further layers of build-up for the moment. I continued then onto the bow and dress, using a mix of pink watercolor and opera pink gouache (adding in purple and gray for the shading). Black was used for the dress’s straps/belt, as well as the deepest shadows for the hair and under the dress. I lightly washed the socks with gray gouache, then mixed a charcoal gray acrylic to block in the shoes. I’ll come back later to add blacks and whites to build out the contours and highlights (highlights seen in this photo are reflected from the camera flash, not actually painted). I went back to the hair with more layers, then finished it using colored pencils.
Finally, I coated the skin areas with flesh color, and then the textured gesso, priming it for oil pastels…
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work progress – blocking in the color

Today was full and eventful, helping me make my time-line before the shoots this weekend. I started this morning with painting the face and hair. Since the figure is relatively small, this didn’t’ take too long. The hair was a little tricky, trying to make it look like it’s floating and flowing in the water, but it also made it easier, since the strand detail is quite soft. the color was also a little tricky, I didn’t want it to be too blueish from the water, but also didn’t want it to bright like it’s in sunlight. I ended up with it almost completely gray (yet just enough color so it seems blonde). With the seahorse airbrushed, and no clothing to consider, the remainder of the paint-work went quickly. I detailed the seahorse, adding more shading and highlights as well. I finished this phase by coating the skin areas with textured gesso…
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Late in the afternoon, I began work on the oil pastels and colored pencils, blocking in the flesh. Like the hair, much of the detail is softened by the water, so there wasn’t so much highlights and deep shadows. Still, I tried to capture enough contouring to fill out the form properly and believably…
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I still have detailing to do, but that shouldn’t take away from my focus on tomorrow’s photo shoot with Kneely.

New art finally working

This whole week has been fraught with problems, perhaps this piece has been cursed. It started with the design, which I mentioned in the previous post, and each step though-out the process has had its troubles (culminating in the death of my computer just as I was beginning to upload the completed image).
Now that it’s done, and the computer is back, I will now go through the steps and hopefully it was worth all the trouble in the end.
With the design worked out, I drew it on the illustration board…
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model -Jill

It took almost two days, but I completed the background. I started it by masking out the image, then airbrushing the entire board with gray acrylics for a base. I wanted to create the illusion of motion, so at first I tried washing of acrylic paint, but I couldn’t find a happy medium between soft edges and strong enough color. Next, I resorted to colored pencils. I have much more control with them, but the board’s texture bothers me. Still, it looks okay, so I proceed. Once the majority of it is done, I go back over it with a wash of gray on a big brush, creating streaks. Sadly, this step caused a real headache later, when I removed the masking to see this wash had seeped in between the cuts in the masking, leaving gray blobs all over. More on that in a moment. Next, I mixed an amber/ochre acrylic and painted the caution stripe on the ground, and also on the subway’s steps. I added a variety of other colors here and there with acrylics to brighten the subway a bit more, blurring it with my finger when possible. To complete the background, I airbrushed a gray-black on the right side to create distance, and also beneath the model for her shadow.
Once dry, I removed the masking and saw the gray leaks. This wouldn’t be so bad for the skin areas, since the oil pastels can cover fairly well. But the dress and hair needed to be light, so I feared it would become a real problem. So, I used a white acrylic and coated the entire model, knowing it would affect the look of everything I put on top of it…
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The next day I began on the foreground paint. The acrylic white I used now made it difficult to use my normal techniques – watercolor washes were more inclined to wash off than blend in, colored pencils had to work against the brush strokes. As such, the hair became a challenge, and I continued to work on it up until the very end. The eyes luckily worked, and the mouth wasn’t too bad, although I reworked the lips a few more times. The gray blobs along the edge of the dress still showed too much, so instead of a wash for color, I mixed a cream colored acrylic and painted it thick enough to be opaque (numerous coats). I added the creases, wrinkles and shadows later with acrylics. The top was also tricky, as it was sheer and also in shadow. Working the color against the white background on the skin was difficult to moderate (it seemed very dark). I added a wash of flesh over the skin areas to help give me perspective.
Next, I masked around the legs and airbrushed the stockings, starting with a mix of flesh acrylic, then building up darker browns to create the contour. I finished the day painting the skin areas with textured gesso…
skirt03

The next day (when I wrote the previous post) I blocked in the skin, using colored pencils and oil pastels. This step was not without its troubles. The gesso on top of the white acrylic was uneven, so some areas didn’t cover as smoothly and easily as others. Luckily, these rough spots were small and limited, so I was able to get through it all…
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I spent all of Wednesday working on the details, trying to figure out if this piece would ever work out. I took numerous breaks, as I was losing perspective of what looked right. By the end of the night I felt it was salvaged, and might even be good. Thursday, I had it scanned, and was ready to upload it when my computer broke down. I spent the entire day going from shop to shop, trying to work out went was wrong, and how it could get fixed fast. The issues are far from over, but I have a working computer today, and finally have the files uploaded. I will post the completed piece next.

work progress – paintwork completed

Today I got busy with all the model’s paint areas. I started with the face, using gouache, followed by hair, building up a variety of browns to create its texture and look. I then painted the tiger-skin skirt, first washing ochre gouache, blending orange into it toward its center. Then, when dry, I used black for the stripes with a fine brush so I could get the fur edges to it. I later came back to the skirt and added some colored pencils for added texture (virtually the same colors, just spreading it out to overlap, creating a sense of fur). After that, I painted the bamboo shoes with their leaf tops. I finished the day painting a textured gesso over the skin areas in preparation for tomorrow’s oil pastels (I also added some skin tone gouache around the edges of the other painted areas where the skin meets, to help blending later)…
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work progress – stage 2 finishing the paint

Today I worked on all the painted areas, trying to get them done. I started with the red areas, using a black gouache wash, I added some shading and wrinkles to the various materials. Next, I dry-brushed black on the gloves and midriff, darkening them and adding a bit of mesh texture. Then I got to painting the bouquet. I mixed some yellow and black gouache with a touch of sepia too form the stem color, then brushed them in. I used the same color for the leaves, such as they are. Adding in some white to the mix, I painted the highlights (mostly in the stems), and then mixed black into the original mix to paint the shadows. With that done, I mixed black and red gouache to paint the flowers, adding hints of brighter red for highlights.
I worked on the hair some more, darkening it and adding some texture. I finally got the veil built up enough to show through the background (figures, both my acrylic and gouache reds are translucent). I added some red decor to the gloves and white highlights to the shoes, then painted the flesh areas with the textured gesso, preparing them for tomorrow’s oil pastels…
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work progress – finishing up the painted areas

I started the day mixing black acrylic with a bit of white to give it an ‘off-black’ shade. I used this to block in the hat and boots. This form of acrylic paint works a little like gouache in that it can be re-wet and worked with for a short time before becoming permanent. I added some white acrylic to my brush and blended it into the black for toning and highlights.
While I waited for that to fully dry, I used black gouache in a wash on the skirt, building up layers to darken and contour it. I painted a blue-gray gouache on the back half of the belt, then blended black into it. I stippled the black into the front of the belt, creating its texture. Then I painted the fringe with gray gouache, adding little lines of black for shadows.
Back to the boots and hat, I re-wet the pink I used for the vest yesterday and painted the stitched design on them. I didn’t like the way the board’s texture was showing through in the painted gloves, so I mixed a dull tan acrylic and painted them again, this time solid. I then added some white to the highlights and brown to the shadows, blending them in before the acrylic could set fully. Next, I painted highlights on all the painted areas with white gouache.
To complete the painting portion of this piece, I covered all the skin areas with textured gesso so they’ll be ready for oil pastels tomorrow.
I ended the day using colored pencils to finish the rope. It ended up being a mix of ochre, gray, and dull yellow, with a little bit of dark brown for the darker shadowed areas (by the hands)…
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