Tag colored pencils

new art completed today – “Devil’s Bride”

I did some tests for dripping paint, and satisfied with the results, I cautiously added red drips to the painting. Whenever one would touch the model, I held up a towel to absorb the excess so it wouldn’t’ drip into it. Since I relied on gravity to create the dip lines, some are not parallel due to the curving of the paper. If I could’ve secured the corner flat, I would’ve, but I wanted the paint to go across corner to corner. It adds an off-kilter feel to the piece, which I think is appropriate.
With that done, I mixed a purple gray acrylic and painted the skull down to the cheeks, leaving the eye sockets and below the cheeks as they were. This gives it more solidity, but still doesn’t pull it too forward in the focus. With the subtle hints of detail in the face, I think it’s right where I want it, so I won’t add anything more to that.
The final stage was fine details in the face and hair. I switched between colored pencils and oil pastels as needed, finishing with a brush dipped in turpenoid to blend it all smooth.
Once the oil had dried sufficiently, I scanned the painting, and have it up and ready in the website here.

Devil's Bride

New art completed today – “Yeehaw!”

I finished up all the details today. I used a mix between colored pencils, brushed oil pastels using turpenoid, and blending with my finger and tortillions. I added a bit of an outline to the skin and gloves to complete the ‘classic pin-up’ style, then refined the hair with gouache paint.
Nothing more I can see to do, so it’s scanned and available now right here.

Yeehaw!

work progress – blocking in the flesh

Today I spent time covering all the skin areas. I re-applied the masking around the areas, then section by section I would use colored pencils to for the base colors and contours, followed by oil pastels to blend. Most of the areas don’t have too much fine detail, so I took time to get the contours down to nearly the final look.
With the time I had left tonight, I started detailing the face and torso using colored pencils. It should be no problem finishing this tomorrow…
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work progress – finishing up the painted areas

I started the day mixing black acrylic with a bit of white to give it an ‘off-black’ shade. I used this to block in the hat and boots. This form of acrylic paint works a little like gouache in that it can be re-wet and worked with for a short time before becoming permanent. I added some white acrylic to my brush and blended it into the black for toning and highlights.
While I waited for that to fully dry, I used black gouache in a wash on the skirt, building up layers to darken and contour it. I painted a blue-gray gouache on the back half of the belt, then blended black into it. I stippled the black into the front of the belt, creating its texture. Then I painted the fringe with gray gouache, adding little lines of black for shadows.
Back to the boots and hat, I re-wet the pink I used for the vest yesterday and painted the stitched design on them. I didn’t like the way the board’s texture was showing through in the painted gloves, so I mixed a dull tan acrylic and painted them again, this time solid. I then added some white to the highlights and brown to the shadows, blending them in before the acrylic could set fully. Next, I painted highlights on all the painted areas with white gouache.
To complete the painting portion of this piece, I covered all the skin areas with textured gesso so they’ll be ready for oil pastels tomorrow.
I ended the day using colored pencils to finish the rope. It ended up being a mix of ochre, gray, and dull yellow, with a little bit of dark brown for the darker shadowed areas (by the hands)…
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Beginning new artwork

A bit of a setback having the website hacked a few days ago, but everything should be about normal again now (and safer).

I had a request for another cowgirl piece, so I went through the photo set I took of Kneely a few months ago and found something that might be fun.  I worked on the outfit and lasso to complete the design, then drew it on illustration board…
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- model Kneely

Next, I masked out the image, then mixed a light sky blue acrylic. I airbrushed it loosely around the top half of the board. I followed that up with a light tan acrylic, airbrushing the same way around the lower half. I used an ochre colored pencil to rough in the lasso rope…
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New Art completed today – “Good Therapy”

Today I continued the detail work, finishing the piece. I decided the tie was too close to the same color and tone as the chair, so I darkened it more, which also brings out the little cherry a bit more. To complete the tie, I used colored pencils to add a fine diagonal pinstripe along it, helping form its contours, as well as give it a little style. I fine-tuned the face, detailed the hand, and finished the black areas, adding gray for some of the light mid-tones, white for highlights, and more black for deeper shadows. The final touch was filling in the degree on the wall, using colored pencils.
It’s now complete, scanned and ready to view here.

Good Therapy

work progress – skin blocked, and beginning detail

I started the day blocking in the skin, this time trying watercolor pencils instead of colored pencils (no wax, so possibly better blending, plus a different variety of colors to work with). I used the pencils to rough in the color and contour of each section, then applied oil pastels (mostly white and light flesh) over them, blending together with my fingers…
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These areas weren’t too big, so I was done fairly early in the day, so I began detailing some of the areas. The face got the most work, nearly finishing it tonight. I also darkened the hair once I saw how it matched to the skin, and worked on the tie. I mixed a pink, red, gray and white gouache and painted the tie in light coats, building it up darker and darker. I’ll finish it tomorrow, likely with colored pencils, giving it a subtle design. For now, I added a cherry icon to its bottom…
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work progress – tough week

Paint continues to be no friend of mine. All was well earlier in the week, after I finished the background. I started the painting process working on the facial features and hair as usual. I wasn’t sure how I wanted to handle the chair, especially since I was trying for a more illustrated look originally. At first I thought perhaps using loose brushstrokes, without concern for getting right up to the edge, then using a thin dark line to outline it. I didn’t think it would have enough solidity to ‘hold’ the model, so then I thought to just cover it in a flat color, maybe adding hints of contouring and shading later. And once again, my attempts to coat a large area that has an irregular edge with a wash of color turned out troublesome. I couldn’t use too large a brush, since some sections were only a few millimeters across, yet I needed to get the entire section covered before any of it could dry. It almost worked, but I still got a few brush strokes showing as it dried. To add to the frustration, the brush would shed as I worked, so hairs would stick in the wash, and I couldn’t do anything to remove them (luckily, since it is a wash, once dry, the hair would easily brush off). I got the entire chair covered, but was quite unhappy with the result. Not wanting to try further wash coats to build up the color, I resorted to a sure solid coating – acrylics. I mixed the color I wanted (or what I hoped it would be once dry – ended up darker than desired, but still okay) in a cup so I would have plenty to work with, then repainted the chair one flat color. Despite working fairly thick (as thick as I could, and still get some flow from the brush), I did need to hit most of it again with a second coat.
Now that it was finally painted, I looked at it again to decide what I wanted to do with it next. Flat wouldn’t do, so I used colored pencils to build up some highlights. The texture from the pencils worked well for a soft leather feel, so I think it was a good choice. I used dark pencils for the shadows, then finished the chair with a few white highlights using gouache.
Things got easier after that, as I moved on to the black areas – the chair arms and base, and shoes. I covered them in a heavy wash of black gouache so it be light enough to allow a second coat of black for the shading. I’m still feeling a bit frustrated about paint, so I have yet to complete these areas (highlights, mostly). I sued a wash of gray mixed with a bit of blue for the mid-tones in the chrome base of the chair, then finished it with white gouache highlights.
I got to rethinking the color for the tie, and am still uncertain what will be best in the end. For now, I’ve given it a wash of pink, which will be darkened either a little bit, or a lot, depending how it feels once the skin is done.
For the stockings and blouse, I brushed clean water over the entire area, then lightly added a bit of gray to the shaded areas, blending it out into the lighter areas. I also added some peach to the stockings to give them a sense of sheer. These areas will also get refined once the skin is in.
For the skirt, I decided to go the same route as the chair, so I mixed a dull brown acrylic in a cup, then coated the area. Once dry, I washed some black gouache over it in the shaded areas, then a wash of light brown gouache for the highlights.
Finally, I covered all the flesh areas with the textured gesso, prepping them for the oil pastels to come…

New artwork completed – “Poison”

I got caught up in the work yesterday, so I failed to stop and take a picture when I finished blocking in the skin areas. With so few areas and small space, it didn’t take long to do, so I quickly moved into the detail work.
After creating the main contours of the skin with colored pencils and oil pastels blended in, I used colored pencils on top to refine the facial features. I also used more oil pastels to build up more depth and color in the cheeks and nose. I continued down, adding details to the neck and arms, then the thighs (mostly just subtle shadows around the clothing). Before going back to the face for the make-up design, I painted the fingers using gouache. It’s a bit of a trick matching the skin tones to the oil pastels on the arms, especially since gouache dries a different tone than it is when wet (one of many reasons I no longer use only paint in my work). Luckily, gouache is easy to rework by getting it moist again, so I would add a bit of color here and there to mix it on the board until it matched to my liking. Next, I painted the nails green and also the little ribbon showing in her left glove. While this yellow-green mix of paint was still wet on the palette, I painted very lightly some highlight edging on the dress to help bring it out away from the background.
The the paint done, I returned to oil pastels, this time using them with a brush dipped in turpenoid. I painted the eyeliner with black, adding lashes as well. Then I mixed a dark green and painted the make-up. I didn’t realize it is very similar to the character ‘Dawn’ by Linsner until I was adding the highlights to the drips. Perhaps it was in my subconscious, but I really didn’t want to repeat someone else’s work. At least mine has numerous drips and is green, so not a direct copy, thankfully.
I’m content with it today, so I’ve scanned and uploaded to the website, ready to view here.

Poison

work progress – blocking in the skin

I finalized the packing today, sealing up the box for shipment on Thursday. With that out of the way now, I expect to finish this piece by tomorrow. Today though, I worked on covering all the flesh with the colored pencils and oil pastels. Working with such large areas takes its toll, and I have a few blistered fingers to show for it, but it is covered now. Since the hair is so loose hanging on her left shoulder, I masked out a wide area to protect the paint. I’ll blend that together tomorrow…
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