I got caught up in the work yesterday, so I failed to stop and take a picture when I finished blocking in the skin areas. With so few areas and small space, it didn’t take long to do, so I quickly moved into the detail work.
After creating the main contours of the skin with colored pencils and oil pastels blended in, I used colored pencils on top to refine the facial features. I also used more oil pastels to build up more depth and color in the cheeks and nose. I continued down, adding details to the neck and arms, then the thighs (mostly just subtle shadows around the clothing). Before going back to the face for the make-up design, I painted the fingers using gouache. It’s a bit of a trick matching the skin tones to the oil pastels on the arms, especially since gouache dries a different tone than it is when wet (one of many reasons I no longer use only paint in my work). Luckily, gouache is easy to rework by getting it moist again, so I would add a bit of color here and there to mix it on the board until it matched to my liking. Next, I painted the nails green and also the little ribbon showing in her left glove. While this yellow-green mix of paint was still wet on the palette, I painted very lightly some highlight edging on the dress to help bring it out away from the background.
The the paint done, I returned to oil pastels, this time using them with a brush dipped in turpenoid. I painted the eyeliner with black, adding lashes as well. Then I mixed a dark green and painted the make-up. I didn’t realize it is very similar to the character ‘Dawn’ by Linsner until I was adding the highlights to the drips. Perhaps it was in my subconscious, but I really didn’t want to repeat someone else’s work. At least mine has numerous drips and is green, so not a direct copy, thankfully.
I’m content with it today, so I’ve scanned and uploaded to the website, ready to view here.
Tag Amber
New artwork completed – “Poison”
work progress – painted areas completed
Today I worked on all the areas that would be painted. I start as usual with the face, using gouache for the eyes and lips. Next, I painted the shoes, first with green and gray for the clear section across her stockings, then gray, black and white for the metallic parts. I then moved onto the dress, blocking in the front panel with a light green to begin, followed by a mid-tone green for underlying vine patterns, and finally dark green for the prominent pattern. I painted the remainder of the dress deep green, as well as the gloves. With white, I blended in a few highlights on the dress to complete it.
Later, I painted the hair, building up layers of orange, red, brown and black to create the texture and look. Next, I used gray gouache for the dress trim, highlighting it with white and opalescent silver. I may add some green ‘sparkles’ on top of that, but for now I’ll leave it as is. I used flesh gouache along all the painted edges that touch skin for easier blending later. I also used it for the upper portion of the face, as it may be too tight and complicated to work with the oil pastels. I did the same for the fingers and small portions of the thighs.
I completed the day by painting the textured gesso over all the skin areas (including some that I painted with flesh earlier)…

work progress – airbrushing completed
Today I worked on the background, as well as the stockings. I started with masking out the whole image, then mixing a dark green acrylic and airbrushing the background. I mixed a bit more black and continued, putting more emphasis on the edges. I then used a light green acrylic and airbrushed mostly the center area of the background. Once dry, I used a dark green gouache to paint hints of leaves and foliage all over the background. I don’t want to call too much attention to it, so I keep it subtle, creating just a feeling of the plant life. With that done, I finished the background with another coat of the dark green acrylic, airbrushed loosely to created soft textures and hints of shadows.
I let that all completely dry before the next step, since I’ll be adding masking back over the background. I removed the masking on the stockings, and surrounded them with masking. Using a mix of brown and flesh gouache, I loosely painted the legs as if they had no stockings on them. This will hopefully give it a sense of sheer in the end. Next, I mixed a flesh acrylic and airbrushed the legs, followed by a medium light green. I darkened the green and began contouring the stockings, mixing darker shades as I moved into the shadows. Once that dried, I used the dark green gouache from before to paint in a vine design on the stockings. Then I airbrushed white highlights over the stockings to complete them…












































